My latest talks here and there at various International Conferences

In these last few days leading up to the end of 2025, I would like to share my latest presentations, which I have had the pleasure of giving over the last six months.

I have spoken a lot about Teresa Rampazzi, and I am very happy about that, but I also discuss about the birth of Real Time machines at Ircam in Paris (part of the RAMHO oral history project) and finally about a new path of research, namely Luciano Berio’s collaboration with Antonio Camurri, which led to the works Outis and Cronaca del luogo (for Berio) and the development of Eyesweb (for Camurri and Casa Paganini in Genoa).

2025: 26-28 novembre 2025, L.Zattra, “Computer che ascoltano il movimento del corpo: Luciano Berio e la collaborazione con Antonio Camurri in Outis e Cronaca del Luogo”, Convegno 100 Genova per Luciano Berio, 26-28 novembre 2025. Programme here. 

2025: 5-7 novembre 202, L.Zattra, “Political militancy, gender activism and social justice in Teresa Rampazzi’s electronic music”, convegno Politics, Feminisms, Music. European and Global Manifestations from 1945 to the Present Day, Goethe Institut, DHI, Roma. Complete programme here.

2025: L.Zattra, “Unexplored archives, philology, and real people. The study of sound-based-art“, XXII convegno GATM di Analisi e Teoria Musicale. 2-5 ottobre 2025, Salerno, Complete programme here.

2025: 10 ottobre, L.Zattra, “Un’assenza/presenza (allo Studio di Fonologia della Rai): il caso di Teresa Rampazzi” giornata di studi “Donne ed elettronica: il suono dell’assenza” Nell’ambito della serie di eventi per FONOLOGIA — Convegno diffuso 1955–2025, Milano. Venerdi 10 ottobre 2025 – ore 17:00/19:00, Teatro Arsenale – Milano​, Via Cesare Correnti 11, Milano, programme here.

2025: 10 June, L.Zattra “Archivi inesplorati, filologia e persone reali
Lo studio dell’arte sonora con le nuove tecnologie”, talk given during the XL Doctoral Programme Days, Conservatorio di Udine, Italy.

2025: 22-23 maggio, François-Xavier Féron, Laura Zattra, “(Re)penser le concept de recherche musicale : Boulez et la création de l’Ircam” – International Conference “Boulez : l’invention au pouvoir ? Les années 1975-1995” Collège de France (22-23 mai 2025), Paris, France. https://www.college-de-france.fr/fr/agenda/colloque/boulez-invention-au-pouvoir-les-annees-1975-1995/repenser-le-concept-de-recherche-musicale-boulez-et-la-creation-de-ircam and Full video (35 min.) here: https://www.college-de-france.fr/fr/agenda/colloque/boulez-invention-au-pouvoir-les-annees-1975-1995/repenser-le-concept-de-recherche-musicale-boulez-et-la-creation-de-ircam

1. Round Table “Donne ed elettronica: il suono dell’assenza” 🎛️ FONOLOGIA — Convegno diffuso 1955–2025 From left: Laura Agnusdei, Johann Merrich, Laura Zattra, Maria Maddalena Novati, Sofia Weck, Sylviane Sapir, 10 october 2025 ↩︎
2. With François Xavier Féron, “(Re)penser le concept de recherche musicale : Boulez et la création de l’Ircam” – International Conference “Boulez : l’invention au pouvoir ? Les années 1975-1995” Collège de France (22-23 mai 2025), Paris, France. ↩︎
3. Giuseppe di Giugno showing me and François-Xavier Féron the 4X machine. ↩︎