Academic
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Padova, Workshop with artists (game music, crowdfunding, ecological composition, sound art and more…)
Il Laboratorio rinnova la collaborazione intrapresa negli anni tra Veneto Jazz, l’Università degli Studi di Padova e la Regione Veneto. Con il 2014, il laboratorio giunge alla sua settima edizione (notizie sulle edizioni passate si trovano qui: https://lazattra.wordpress.com/?s=nufest&submit=Search, o qui: http://audio.accordo.it/article.do?id=48170). Nelle edizioni trascorse, il laboratorio, chiamato Nufest (festival di concerti e seminari dedicati alla…
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Recherches philologiques autour de la computer music
Le 25 et 26 septembre je participerai au colloque JOHN CHOWNING ET JEAN-CLAUDE RISSET : PIONNIERS DE LA COMPUTER MUSIC Je présenterai les principaux résultats des enquêtes que j’ai effectuées dans les dernières années. Voici un résumé de ma présentation. La recherche, l’identification et la préservation des sources, qui sont des étapes essentielles pour l’étude d’une œuvre…
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My new article on Agostino Di Scipio’s early works
My research study on Agostino Di Scipio’s early works has been published in the last issue of the Contemporary Music Review. Laura Zattra (2014), “Points of Time, Points in Time, Points in Space. Agostino Di Scipio’s Early Works (1987–2000)”, Contemporary Music Review, 33:1, 72-85, DOI: 10.1080/07494467.2014.906699 Abstract This paper bears on Agostino Di Scipio’s work from the years 1987–2000. Early…
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Méthodologie pour étudier la figure du Réalisateur en informatique musicale
Qui est le Réalisateur en informatique musicale ? Vendredi prochain, je présenterai à l’EHESS de Paris le cadre théorique, la méthodologie employée et quelques résultats de ma recherche actuelle sur la figure du RIM (Réalisateur en informatique musicale = Computer Music designer = Musical Assistant). Journée d’étude Approches ethno/musicologiques des processus de création musicale – INHA – Auditorium – 6,…
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The early works by Agostino Di Scipio (1987 – 2000)
Next week I am presenting at the International Symposium in Paris (Paris VIII University, 27-30 May) Musique et écologies du son / Music and ecologies of sound I will discuss Agostino Di Scipio’s early works. Abstract: Points of time, points in time, points in space. The early works by Agostino Di Scipio (1987 – 2000) If…
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Les origines du nom de RIM (Réalisateur en informatique musicale)
I am presenting at the conference Journée d’Informatique Musicale in Paris alongside colleagues from different institutions (13-15 May 2013). We are discussing present researches in electroacoustic music. The event will be a hosted by the Paris VIII University. A full programme is available. I will personally discuss about the history of the name “Musical Assistant”. My talk is…
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Padova, NUFEST 2013: Workshop e 1 concerto dedicati al suono sperimentale e all’elettronica
Giunto alla sesta edizione, NuFest (festival di Veneto Jazz dedicato alla musica elettronica), in collaborazione con il Dipartimento dei Beni Culturali dell’università di Padova, organizza anche quest’anno un workshop sull’arte elettroacustica, arte sonora in cui elettricità e strumenti audio e video (analogici e informatici) sono utilizzati per la concezione, l’ideazione, la creazione, la produzione, la…
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Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum (1985)
Our article Studying Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum (1985) as a Performance Event is out in the last issue of Contemporary Music Review, available online from 20 Apr 2012! Contemporary Music Review, Special Issue “(De)composing sound”, ed. Nicolas Donin. 30:5, 411-439 To link to this article: http://dx.doi.org/10.1080/07494467.2011.665579 Abstract In our project, a detailed genetic study and a careful…
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VISIONI DEL SUONO. MUSICA ELETTRONICA ALL’UNIVERSITÀ DI PADOVA
“VISIONI DEL SUONO. MUSICA ELETTRONICA ALL’UNIVERSITÀ DI PADOVA” http://www.musei.unipd.it/visionisuono/ 3 aprile – 18 luglio 2012 Sale espositive del Centro di Ateneo per i Musei (via Orto Botanico 15, Padova). An exposition whose title conveys the importance of Padova as a crucial centre for musical research and creativity, from the Medieval era to the second half…
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Demetrio Stratos: his voice research in Padova in the late ’70s
We (Ceolin Elena, GrazianoTisato , Zattra Laura) have just presented our paper “Demetrio Stratos rethinks voice techniques: a historical investigation at ISTC in Padova” at the Sound and Music Computing Conference (http://smc2011.smcnetwork.org/). Abstract: Demetrio Stratos (1945-1979) was a singer known for his creative use of vocal techniques such as diplophony, bitonality and diphony (overtone singing).…
laura zattra 