women and music
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Teresa Rampazzi: sound creations and co-creations as a meeting place between art and life
Next Saturday May 18th, I will discuss in Padova with Marta Previti and Maddalena Rizzi about women who have left a strong artistic mark in Veneto, Italy and the world. I will address how electronic music pioneer Teresa Rampazzi revisited the idea of creative place, from the home, to the collective, to the conservatory, to…
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My keynote @TENOR 2024 conference (Zurich ZHdK)
Overjoyed that my keynote “Unexplored Archives, Philology and Real People – How to study ‘sound-based art’ through sketches (design thinking, embryonic projects, first meetings, software programming)”, at the TENOR 2024 conference – International Conference on Technologies for Music Notation and Representation, is now online. 2024: 4 April: Full video (my keynote and other talks): https://vimeo.com/930542621 Abstract: My presentation considers…
Analysis of Sound Design Practices, archives, Collaborative Art, CSC, Ircam, John Chowning, Music and Technology, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, Pioneers of electronic music, Sound Art, sound design, sound engineer, SOundNOiseMUsic, sources for the study of electronic music, Spectral music, Technology and Society, Teresa Rampazzi, Tracking the Creative Process in Music, women and music
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Teresa Rampazzi and other pioneers – @ Goethe Institut, Rome: 22.3.2024
Happy to have given a lecture last Friday at the Goethe-Institut in Rome Conferenza Teresa Rampazzi ed altri pionieri della musica elettronica in Italia Armando Gentilucci, nel primo libro italiano (1972) dedicato alla musica elettronica, riteneva che i lavori di Pietro Grossi, Enore Zaffiri, Vittorio Gelmetti e altri fossero “applicazioni generalmente molto immature” rispetto a quelli…
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Teresa Rampazzi: “La nuova alleanza tra musica e computer”
Nell’articolo “La nuova alleanza tra musica e computer“, pubblicato sul sito dell’Università di Padova https://ilbolive.unipd.it/it, Francesca Bastianon racconta la storia di Teresa Rampazzi. All’interno, potete ascoltarmi in un video mentre ripercorro le tappe principali della vita di questa importante pioniera, una delle prime donne al mondo ad occuparsi di musica elettroacustica. Per approfondire la storia…
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Fluxus (1979) by Teresa Rampazzi at the final concert of the Darmstadt Summer Course
Alongside the new version of the mesmerizing piece Dust III (2018-21) by Rebecca Saunders, this evening the quadraphonic work Fluxus by Teresa Rampazzi will be performed during the final concert of the 50th Darmstadt Summer Course. After 70 years, Rampazzi is back at the Ferienkurse (she attended the course also in 1954, 1956, and until…
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A JOURNEY AMONG ELECTRONIC MUSIC SOURCES #4 – #5
My last two articles for the column A JOURNEY AMONG ELECTRONIC MUSIC SOURCES focusses on a couple of amazing material sources (the Music 5 software in Padova and Pierre Schaeffer’s dedication to the N.P.S. Group) (#4) and the importance of oral history in the study of electroacoustic music (#5). Musica, tecnologia e società attraverso le…
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Between the Tracks (2020), the new book edited by Kerry Hagan and Miller Puckette
The book Between the Tracks-Musicians on Selected Electronic Music edited by Kerry Hagan and Miller Puckette is finally published! My chapter focuses on the analysis of “Taras su tre dimensioni” [Taras on three dimensions], a work realized by Teresa Rampazzi in 1971-72 in the course of a transitional phase (her transition from the analogue to…
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Teresa Rampazzi’s voice and her unique piece “Taras”
Curious to hear what Teresa Rampazzi’s (1914-2001) voice sounded like? This is a unique opportunity. This audio track I’ve uploaded on SoundCloud is part of a radio programme aired in 1985 “Le nuove frontiere della musica” (New frontiers of music; director: Tonino Delfino). Rampazzi and Delfino are discussing her piece “Taras su tre dimensioni”. The…
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Teresa Rampazzi is a WoMuTe hero!
I am pleased to announce that in celebration of the last International Women’s Day, TERESA RAMPAZZI has been nominated one of the most prominent technological and musical pioneers. I think my research of these years may have contributed to some extent at least to this important recognition for her work in the early days of Italian Electroacoustic…
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Teresa Rampazzi at the Chalton Gallery, March 1st 2019
‘What time are you performing tonight?’ OPENING: Friday, March 01; 7pm Chalton Gallery, 96 Chalton St, NW1 1HJ, London ‘What time are you performing tonight?’, an axhibition curated by Caterina Gobbi, is dedicated to four composers that have shaped the development of early electronic music in Italy: Teresa Rampazzi, Daniela Casa, Ingrid McIntosh, and Maria Teresa…
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