Laura is a Scholar in Sound-Based-Art, Creative/Collaborative Practices, Archival Research, Marginalized Figures. Author, Professor @UdineConservatoryOfMusic (Italy) and Researcher @IRCAM (Paris)

comparative analysis

Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies

I will present my research at the EUROMAC conference, the 9th European Music Analysis Conference (Strasbourg, 28 June – 1 July 2017). TITLE: Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies ABSTRACT The revolution of sound recording, analogue synthesis and the birth of computer music, caused the emergence of a new professional profile:…

26 June 2017

Laura Zattra

collaboration, Collaborative Art, Composers & Artists, computer music, CSC, Electroacoustic Music, Marino Zuccheri, Musical Assistant, Oral History, philology of music, sound engineer

Alvise Vidolin, Carl Faia, comparative analysis, Marino Zuccheri, Musical Assistants