Oral History
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My keynote @TENOR 2024 conference (Zurich ZHdK)
Overjoyed that my keynote “Unexplored Archives, Philology and Real People – How to study ‘sound-based art’ through sketches (design thinking, embryonic projects, first meetings, software programming)”, at the TENOR 2024 conference – International Conference on Technologies for Music Notation and Representation, is now online. 2024: 4 April: Full video (my keynote and other talks): https://vimeo.com/930542621 Abstract: My presentation considers…
Analysis of Sound Design Practices, archives, Collaborative Art, CSC, Ircam, John Chowning, Music and Technology, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, Pioneers of electronic music, Sound Art, sound design, sound engineer, SOundNOiseMUsic, sources for the study of electronic music, Spectral music, Technology and Society, Teresa Rampazzi, Tracking the Creative Process in Music, women and music -
The role of John Chowning in the contruction of Ircam (1973-1977)
During the 1970s, John Chowning founded CCRMA at Stanford University and was also involved in the planning of IRCAM, the computer music center directed by Pierre Boulez. In studying different archives and conducting interviews, as part of the RAMHO project, we have reconstructed this important years between 1972 and 1977 and highlighted the links that…
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L’Ircam et les 50 ans du Centre Pompidou
The Centre Pompidou celebrates 50 years. Next Tuesday, at the Center Pompidou in Paris, I will give a talk about the history of IRCAM (founded by Pierre Boulez to associate the Center for art and culture with a Center for musical creation) in the context of the seminars organized by the History Commission of the…
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My keynote speech at the XXIII CIM Colloquio di Informatica Musicale
Last Thursday (October 27) I gave a keynote speech at the XXIII CIM Colloquio di Informatica Musicale in Ancona: “The Computer Instrument: mixed methods to study past, present and future between archives, lost sources and oral history”. I was also able to admire the instruments on display from the Museo del Synth Marchigiano and from…
archives, collaboration, Collaborative Art, Composers & Artists, computer music, Interviews, John Chowning, Live-Electronic Music, Luigi Nono, musicaelettronica.it, Musical Assistant, Oral History, philology of music, sources for the study of electronic music, Technology and Society, Tracking the Creative Process in Music -
Computer Sounds in Luigi Nono’s Prometeo
As part of my research on collaborative creativity, on the music-technology relationship, and on the role of computer music designers / musical assistants, I studied the genesis of the computer sounds used in Luigi Nono’s Prometeo, generated with Giuseppe (Peppino) di Giugno’s 4i workstation.My paper “The Use of Technology in Revolutionary Perspective. Computer Music Research…
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A JOURNEY AMONG ELECTRONIC MUSIC SOURCES #4 – #5
My last two articles for the column A JOURNEY AMONG ELECTRONIC MUSIC SOURCES focusses on a couple of amazing material sources (the Music 5 software in Padova and Pierre Schaeffer’s dedication to the N.P.S. Group) (#4) and the importance of oral history in the study of electroacoustic music (#5). Musica, tecnologia e società attraverso le…
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A history of first encounters between Spectralists and Sound Researchers
My talk “Behind the official literature. A history of first encounters between Spectralists and Sound Researchers” is now online. Link to video: https://medias.ircam.fr/embed/media/x8a75e6 It is a recognized fact that studies such the ones developed by Jean-Claude Risset [2], John Chowning [2] and Joseph Fourier [3] on psychoacoustic, synthesis and sound representation, have opened the door to the development…
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e-book: Live Electronic Music Composition, Performance, Study
The digital edition of our book Live Electronic Music Composition, Performance, Study is now available on the main online stores. Live Electronic Music Composition, Performance, Study Edited by Friedemann Sallis, Valentina Bertolani, Jan Burle, Laura Zattra, Routledge, 2018. On Amazon.com and on Routledge.com Contents (340 pages) Introduction (FRIEDEMANN SALLIS, VALENTINA BERTOLANI, JAN BURLE AND LAURA ZATTRA) Part I Composition 1…
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Sound chaser. The invention and impact of the NAGRA recorder
The video with my talk about the NAGRA recorder is out! “L’invention et l’impact du NAGRA, chasseur de sons” (in French), 8 June 2018, IRCAM, Paris, Seminaires Musique Science Technologie. Full video: https://medias.ircam.fr/x957613 Sound chaser. The invention and impact of the NAGRA recorder This research focuses on the invention and impact of the NAGRA recorder. It is based…
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Making sound-based practices come alive
Busy week next week!! I am super thrilled to teach at the Sound Studies and Sonic Arts – UdK Berlin (Master of Arts) as Guest Faculty Member. Alongside Scott Cazan, Peter Cusack, and Christina Kubisch! Can’t wait to meet my class! June 25-29, 2018. https://www.udk-berlin.de/en/courses/sound-studies-and-sonic-arts-master-of-arts/faculty-staff/guest-faculty/ Course Title: “Making sound-based practices come alive. Sources and issues…