collaboration
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My contribution for The Bloomsbury Handbook of Sound Art
It’s out! I am honoured to have a chapter in this new book edited by Sanne Krogh Groth and Holger Schulze. My chapter “Audiogrammi of a Collective Intelligence. The Composers-Researchers of S2FM, SMET, NPS, and Other Mavericks” revisits the impact of 1960s-1970s Italian electronic music experiences in the light of their interdisciplinary experimentation opening up to Sound Art,…
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Symmetrical Collaborations. Jonathan Harvey and his computer music designers
My chapter “Symmetrical Collaborations. Jonathan Harvey and his computer music designers”, just published in «Nuove Musiche», Vol. 4 (2018), Special issue on Jonathan Harvey, edited by Candida Felici and Stefano Lombardi Vallauri, Pisa : Pisa University Press, pp. 29-57, DOI: 10.12871/97888333922572. ABSTRACT: The work of Jonathan Harvey (1939-2012) has been influenced by computer technology since…
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Recent developments of our APDS project [Analyse des Pratiques du Design Sonore]: 28/29 Nov.
Next week, Nicolas Misdariis, Frank Pecquet, Nicolas Donin, David Fierro and I, will present the last developments of our project: “Pratiques et praticiens : résultats du projet APDS [Analyse des Pratiques du Design Sonore]”. IRCAM (Paris), 28-29 November 2019. Free Subscription here: https://www.ircam.fr/agenda/sound-design-days/detail/ ABSTRACT Le micro-projet APDS (Analyse des Pratiques du Design Sonore – Labex CAP, 2018-19)…
![Recent developments of our APDS project [Analyse des Pratiques du Design Sonore]: 28/29 Nov.](https://laurazattra.com/wp-content/uploads/2019/11/podcast-4209770_1920.jpg?w=1024)
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A history of first encounters between Spectralists and Sound Researchers
My talk “Behind the official literature. A history of first encounters between Spectralists and Sound Researchers” is now online. Link to video: https://medias.ircam.fr/embed/media/x8a75e6 It is a recognized fact that studies such the ones developed by Jean-Claude Risset [2], John Chowning [2] and Joseph Fourier [3] on psychoacoustic, synthesis and sound representation, have opened the door to the development…
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“ANALYSIS OF SOUND DESIGN PRACTICES” at the XXII CIM in Udine
With my teammates Nicolas Misdariis, Frank Pecquet, Nicolas Donin, and David Fierro, we will be present at the next conference CIM (XXII Colloquio di Informatica Musicale) in Udine, Italy, from 20 to 23 November. Our talk is titled “Analysis of Sound Design Practices. Research Methodology” Our contribution describes an on-going project started in March 2018…
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Italian Electronic Music Studios (1950s-60s-70s)
My presentation at the Muzeum Sztuki w Łodzi in collaboration with the Instytut Adama Mickiewicza, October 13-14 2017, at the “POLISH RADIO EXPERIMENTAL STUDIO” conference, is now online. Italian Electronic Music Studios of the First and Second Generation (from the 1950s to the 1970s) with a focus on the the triangulation between the S 2F M (Florence),…
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Marino Zuccheri (and Angelo Paccagnini) @ the Studio di Fonologia della RAI in Milan
OUT NOW! A tribute to Marino Zuccheri, the eclectic sound engineer of the Studio di Fonologia Musicale Rai di Milano. The book MARINO ZUCCHERI & FRIENDS, with a selection of Zuccheri’s graphic designs, concert diagrams, photos with John Cage, Bruno Maderna et al., and articles devoted to heterogeneous activities at the Studio. The book also include…
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LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge)
I am pleased to announce that the book LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge), edited by Friedemann Sallis, Valentina Bertolani, Jan Burle and me, is now available: https://www.routledge.com/Live-Electronic-Music-Composition-Performance-Study/Sallis-Bertolani-Burle-Zattra/p/book/9781138022607 Contents (340 pages) Introduction (FRIEDEMANN SALLIS, VALENTINA BERTOLANI, JAN BURLE AND LAURA ZATTRA) Part I Composition 1 Dwelling in a field of sonic relationships: ‘Instrument’ and ‘listening’…
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Collaboration at the Studio di Fonologia della RAI in Milan (1955-1983)
This week, I will be in the conference TCPM (Tracking the Creative Process in Music) at the University of Huddersfield, UK (September 14-16). In this context I will do an oral presentation of my latest research and will focus on the origins, dynamics and evolution of collaboration at the Studio di Fonologia della RAI in Milan (1955-1983). Abstract Electroacoustic music is a…
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Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies
I will present my research at the EUROMAC conference, the 9th European Music Analysis Conference (Strasbourg, 28 June – 1 July 2017). TITLE: Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies ABSTRACT The revolution of sound recording, analogue synthesis and the birth of computer music, caused the emergence of a new professional profile:…
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