collaboration
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L’Ircam et les 50 ans du Centre Pompidou
The Centre Pompidou celebrates 50 years. Next Tuesday, at the Center Pompidou in Paris, I will give a talk about the history of IRCAM (founded by Pierre Boulez to associate the Center for art and culture with a Center for musical creation) in the context of the seminars organized by the History Commission of the…
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LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge)
I am pleased to announce that the book LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge), edited by Friedemann Sallis, Valentina Bertolani, Jan Burle and me, is now available: https://www.routledge.com/Live-Electronic-Music-Composition-Performance-Study/Sallis-Bertolani-Burle-Zattra/p/book/9781138022607 Contents (340 pages) Introduction (FRIEDEMANN SALLIS, VALENTINA BERTOLANI, JAN BURLE AND LAURA ZATTRA) Part I Composition 1 Dwelling in a field of sonic relationships: ‘Instrument’ and ‘listening’…
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CSC (Centro di Sonologia Computazionale), University of Padova
CSC’S HISTORY: The Centro di Sonologia Computazionale was funded in 1979 at Padova University. The initial research and works in the field of musical informatics date to the beginning of the ’70s. The institute was first located at the CCA – Centro di Calcolo di Ateneo (the university computing centre). Activites were based on the collaboration between engineers, musicians,…
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(Reblogged) Game Music: How Laura Shigihara Created “Rakuen” and its Soundtrack
Reblogged from Feminatronic: Interview with Laura Shigihara: the creation of “Rakuen” and its Soundtrack High Scores is a monthly column in which Bandcamp profiles a video game soundtrack composer. In the first installment, Casey Jarman talks to Laura Shigihara about her latest game soundtrack, “Rakuen.” Laura Shigihara is a classic overachiever. She’s both a musician and…
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The economics of creativity
“The economics of creativity” was the heading of a round table that took place last Saturday in Paris (Centre Pompidou) in the final section of the conference Tracking the Creative Process in Music with Pierre-Michel Menger (Collège de France, EHESS), author of The Economics of Creativity (Harvard University Press, 2014), Howard Becker, Georgina Born, and Nicholas Cook (chair). In his book The…
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Roberto Fabbriciani and Luigi Nono: over a decade’s collaboration
I just published my contribution to this fascinating collaboration. Flutist Roberto Fabbriciani and composer Luigi Nono created wonderful pieces during the ’80s, when working and researching at the Experimentalstudio der Heinrich-Strobel-Stiftung des Südwestfunks E.V. di Friburgo, together with Ciro Scarponi (clarinet), Giancarlo Schiaffini (tuba), Susanne Otto (alto), Stefano Scodanibbio (cotrabass), and the musical assistants Hans-Peter Haller,…
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I will present my research on RIMs-Computer Music Designers emerging profession next week at IRCAM in Paris (12 March). I will present results concerning the project: Le RIM – Réalisateur en Informatique Musicale: étude de l’émergence d’une profession L’objectif de cette recherche (commencée avec un séjour en tant que chercheuse invitée CNRS INS2I, juin – octobre 2012) est…