computer music
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A JOURNEY AMONG ELECTRONIC MUSIC SOURCES #2 | MUSIC PATENTS AND ONLINE RESEARCH
I am writing a column for the blog http://www.musicaelettronica.it/ about the less known or forgotten sources in electronic music. I have used private and institutionals archives, physical or digital, in my musicological practice for 20 years and this investigation never fails to amaze me. The second article is dedicated to patents and online research of patents…
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Symmetrical Collaborations. Jonathan Harvey and his computer music designers
My chapter “Symmetrical Collaborations. Jonathan Harvey and his computer music designers”, just published in «Nuove Musiche», Vol. 4 (2018), Special issue on Jonathan Harvey, edited by Candida Felici and Stefano Lombardi Vallauri, Pisa : Pisa University Press, pp. 29-57, DOI: 10.12871/97888333922572. ABSTRACT: The work of Jonathan Harvey (1939-2012) has been influenced by computer technology since…
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A journey among electronic music sources #1 | The first Italian books
I have used private and institutionals archives, physical or digital, in my musicological practice for 20 years. I am writing a little about this and the sources I can find when I dip into this faboulous world in my column “Viaggio tra le fonti elettroniche” for the amazing blog http://www.musicaelettronica.it/. The first post is dedicated to…
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Call for submissions: ORGANISED SOUND Vol. 25, N. 2
ORGANISED SOUND, Call for Submissions – Volume 25, Number 2 Issue thematic title: Time in Electroacoustic Music Deadline for submission: 15 September 2019 Topics for investigation could include: • critical schema of time representations which have been previously articulated by composers/analysts (e.g. Stockhausen, Xenakis); • comparison of analytical approaches in their treatment of subjective temporal…
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Our paper “Analysis of Sound Design Practices [ASDP]. Research Methodology”
Read here (http://cim.lim.di.unimi.it/2018_CIM_XXII_Atti.pdf) the proceedings of the XXII CIM conference (Federico Fontana and Andrea Gulli eds., organized by the AIMI – Associazione di Informatica Musicale Italiana), with a great diversity of researches that bring much excitement and promise to the field of Electroacoustic Music, Computer Music, Sound Design and Sound Studies. The general theme of…
![Our paper “Analysis of Sound Design Practices [ASDP]. Research Methodology”](https://laurazattra.com/wp-content/uploads/2019/01/immagine.jpg?w=791)
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e-book: Live Electronic Music Composition, Performance, Study
The digital edition of our book Live Electronic Music Composition, Performance, Study is now available on the main online stores. Live Electronic Music Composition, Performance, Study Edited by Friedemann Sallis, Valentina Bertolani, Jan Burle, Laura Zattra, Routledge, 2018. On Amazon.com and on Routledge.com Contents (340 pages) Introduction (FRIEDEMANN SALLIS, VALENTINA BERTOLANI, JAN BURLE AND LAURA ZATTRA) Part I Composition 1…
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Making sound-based practices come alive
Busy week next week!! I am super thrilled to teach at the Sound Studies and Sonic Arts – UdK Berlin (Master of Arts) as Guest Faculty Member. Alongside Scott Cazan, Peter Cusack, and Christina Kubisch! Can’t wait to meet my class! June 25-29, 2018. https://www.udk-berlin.de/en/courses/sound-studies-and-sonic-arts-master-of-arts/faculty-staff/guest-faculty/ Course Title: “Making sound-based practices come alive. Sources and issues…
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LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge)
I am pleased to announce that the book LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge), edited by Friedemann Sallis, Valentina Bertolani, Jan Burle and me, is now available: https://www.routledge.com/Live-Electronic-Music-Composition-Performance-Study/Sallis-Bertolani-Burle-Zattra/p/book/9781138022607 Contents (340 pages) Introduction (FRIEDEMANN SALLIS, VALENTINA BERTOLANI, JAN BURLE AND LAURA ZATTRA) Part I Composition 1 Dwelling in a field of sonic relationships: ‘Instrument’ and ‘listening’…
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Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies
I will present my research at the EUROMAC conference, the 9th European Music Analysis Conference (Strasbourg, 28 June – 1 July 2017). TITLE: Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies ABSTRACT The revolution of sound recording, analogue synthesis and the birth of computer music, caused the emergence of a new professional profile:…
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“Musique mixte”: Writing of Sound, and the Problem of Sources
In my new publication I discuss the concepts of écriture, micro and macro forms, internal and external writing of sound, and analysis, in musique mixte. Laura Zattra, “Les écritures des musiques informatiques mixtes à la lueur des sources documentaires”. This is a chapter for the book Musique et Technologie. Regards sur les musiques mixtes, Marc Battier, Evelyne Gayou, Daniel…
laura zattra 