Electroacoustic Music
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Mathemusical Conversations: Mathematics and Computation in Music Performance and Composition
Here’s another interesting book now in print: Elaine Chew (Queen Mary University of London), Jordan Smith (AIST, Japan—currently at ISMIR2016), and Gérard Assayag (STMS: IRCAM-CNRS-UPMC – Sorbonne Universités, France) are the editors of this new book titled Mathemusical Conversations: Mathematics and Computation in Music Performance and Composition (Sep 2016, Imperial College Press / NUS Institute for Mathematical Sciences Lecture Notes Series,…
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Gender Relations In Darmstadt (GRID), Darmstadt Ferienkurse, Aug 3rd 2016
Listen on Soundcloud: this panel presentation on Gender Relations In Darmstadt (GRID) took place at Darmstadt at the 48 Internationale Ferienkurse fur Neue Musik, on Aug 3rd. Participants included Ashley Fure, Jennifer Walshe, Electric Indigo, Anne Helde Neset, Georgina Born. From the panel discussion summary: When Ashley Fure — in the context of the historage-project — was invited…
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CFP: Reassessing Pierre Schaeffer’s Contributions to Music and Sound Studies
I’m glad to share this call for contributions (from Patrick Valiquet, organizer). This is going to be a very interesting conference. “Experiments in Music Research – Reassessing Pierre Schaeffer’s Contributions to Music and Sound Studies” 9 December 2016 Department of Music, University of Birmingham The Traité des objets musicaux (Treatise of musical objects) is the…
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A questionnaire-based investigation of the skills and roles of Computer Music Designers
This article I co-wrote with Nicolas Donin has just been published: A questionnaire-based investigation of the skills and roles of Computer Music Designers, Musicae Scientiae, September 2016 20: 436–456, doi:10.1177/1029864915624136. This essay adds one more piece to the puzzle of the musical assistant research I’ve been developing for four years, and the implications of collaboration in the art computer music scene.…
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Ladyz in Noyz (movie 2016)
Ladyz in Noyz. A movie/documentary (2016) in which noise ladies from different parts of the world collaborate online to bring one after the other their own live set in their own choice and style. International Call and Response: Ladyz in Noyz
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Immagini Per Diana Baylon: new vinyl by Teresa Rampazzi
As with the spellbinding Musica Endoscopica, this issue of Immagini Per Diana Baylon – one of her three known soundtracks for art installations – helps to place Teresa as Italy’s answer to Daphne Oram; that is, a pioneering female experimenter operating in a male dominated field since the ’50s, and an artist/musician/technician who was magnetically drawn to the emerging possibilities…
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Collaboration and Musical Assistants at IRCAM, CCRMA, and CSC
On Thursday 14 April, I will present my research at the AHEM (Alternative Histories of Electronic Music) conference (14-16 April 2016). And I will also chair one of the sessions. I’m looking forward to hearing hidden stories happened around the world! Abstract The revolution of sound recording, synthesis and transformation (commenced in 1948 with concrete music and…
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Éliane Radigue International Conference, CFP
I am pleased to share with you this Call for Papers I just received from Marc Battier, professor at IReMus / Université Paris-Sorbonne. COLLOQUE INTERNATIONAL ÉLIANE RADIGUE Le colloque international Éliane Radigue a l’ambition de réaliser un panorama de l’œuvre de la pionnière de la musique électroacoustique française Éliane Radigue et d’inciter à la recherche sur les…
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PLEIADI: Electronicgirls celebrate their 6th birthday
New collective release free-download available from 9th January Electronicgirls celebrate their 6th birthday with a new collective release: Pleiadi. Participants have been asked to submit a 6 minutes piece composed by following the Instruction for the Realization by Johann Merrich. Each track can be heard individually or in a collective track format: Pleiadum Constellatio, a single body of sound made by the sum of…
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John Chowning and Theremin: oral history interview (Stanford Archive)
Jonathan Manton, sound archive librarian at the Stanford University Libraries, has just published this article and mp3 file: on September 2nd, 2015, he carried out an oral history interview with John Chowning, Professor Emeritus at Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) and inventor of Frequency Modulation (FM) synthesis. They discussed Chowning’s background in computer…
laura zattra 