Marino Zuccheri
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Unveiling Camillo Togni’s (1922-1993) Creative Process in Electronic Music
Doing analysis of electronic music also means understanding – in addition to the audio, sketches, score (if any) and technology – the circumstances that led an author to create the piece. “Recitativo for Tape” (1961) is the only work of electronic music made by Italian composer Camillo Togni who embraced dodecaphony and integral serialism. Like…
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What can we deduce from the composers’ personal archives?
What do archives tell us about the person who has collected and organised (or disorganised) them over the years, about their own creative process, about their ‘workshop’? In this book (just published) “XENAKIS – BACK TO THE ROOTS. Philological Approaches to Electroacoustic Music” edited by Reinhold Friedl, Thomas Grĭll, Nikolaus Urbanek, and Michelle Ziegler, I…
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In hoc signo vinces by Angelo Paccagnini and Eugenio Carmi – Symposium and Concert, November 9th 2024
Posthumous discoveries of unknown and never performed musical works always represent, in the eyes of researchers and the public, a valuable opportunity for new biographical readings and new interpretative scenarios. In hoc signo vinces (1976) is a score-catalogue discovered by archivist Carlotta Ghiretti at the archives of Eugenio Carmi (1920-2016, one of the protagonists of…
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Italian Electronic Music Studios (1950s-60s-70s)
My presentation at the Muzeum Sztuki w Łodzi in collaboration with the Instytut Adama Mickiewicza, October 13-14 2017, at the “POLISH RADIO EXPERIMENTAL STUDIO” conference, is now online. Italian Electronic Music Studios of the First and Second Generation (from the 1950s to the 1970s) with a focus on the the triangulation between the S 2F M (Florence),…
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Marino Zuccheri (and Angelo Paccagnini) @ the Studio di Fonologia della RAI in Milan
OUT NOW! A tribute to Marino Zuccheri, the eclectic sound engineer of the Studio di Fonologia Musicale Rai di Milano. The book MARINO ZUCCHERI & FRIENDS, with a selection of Zuccheri’s graphic designs, concert diagrams, photos with John Cage, Bruno Maderna et al., and articles devoted to heterogeneous activities at the Studio. The book also include…
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Collaboration at the Studio di Fonologia della RAI in Milan (1955-1983)
This week, I will be in the conference TCPM (Tracking the Creative Process in Music) at the University of Huddersfield, UK (September 14-16). In this context I will do an oral presentation of my latest research and will focus on the origins, dynamics and evolution of collaboration at the Studio di Fonologia della RAI in Milan (1955-1983). Abstract Electroacoustic music is a…
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Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies
I will present my research at the EUROMAC conference, the 9th European Music Analysis Conference (Strasbourg, 28 June – 1 July 2017). TITLE: Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies ABSTRACT The revolution of sound recording, analogue synthesis and the birth of computer music, caused the emergence of a new professional profile:…
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