Notation in Electroacoustic Music
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My keynote @TENOR 2024 conference (Zurich ZHdK)
Overjoyed that my keynote “Unexplored Archives, Philology and Real People – How to study ‘sound-based art’ through sketches (design thinking, embryonic projects, first meetings, software programming)”, at the TENOR 2024 conference – International Conference on Technologies for Music Notation and Representation, is now online. 2024: 4 April: Full video (my keynote and other talks): https://vimeo.com/930542621 Abstract: My presentation considers…
Analysis of Sound Design Practices, archives, Collaborative Art, CSC, Ircam, John Chowning, Music and Technology, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, Pioneers of electronic music, Sound Art, sound design, sound engineer, SOundNOiseMUsic, sources for the study of electronic music, Spectral music, Technology and Society, Teresa Rampazzi, Tracking the Creative Process in Music, women and music
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Computer Sounds in Luigi Nono’s Prometeo
As part of my research on collaborative creativity, on the music-technology relationship, and on the role of computer music designers / musical assistants, I studied the genesis of the computer sounds used in Luigi Nono’s Prometeo, generated with Giuseppe (Peppino) di Giugno’s 4i workstation.My paper “The Use of Technology in Revolutionary Perspective. Computer Music Research…
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My co-edited issue “Notation in Electroacoustic Music”, Music/Technology XIII, 2019
This marvel is now out! The new issue of Musica/Tecnologia (XIII), edited by Stefano Alessandretti and me, is titled “La notazione della musica elettroacustica. Scrutare il passato per contemplare il futuro” (Notation in Electroacoustic Music). The journal is committed to OPEN ACCESS, so enjoy it! (for paper version, please contact the publishing house). https://oajournals.fupress.net/index.php/mt/index TABLE…
laura zattra 