Computer Sounds in Luigi Nono’s Prometeo

As part of my research on collaborative creativity, on the music-technology relationship, and on the role of computer music designers / musical assistants, I studied the genesis of the computer sounds used in Luigi Nono’s Prometeo, generated with Giuseppe (Peppino) di Giugno’s 4i workstation.
My paper “The Use of Technology in Revolutionary Perspective. Computer Music Research in Luigi Nono’s Prometeo. Tragedia dell’Ascolto (1984-85)” has been published in the last issue of RATM, Rivista di Analisi e Teoria Musicale, edited by Antonio Grande.
https://www.gatm.it/it/pubblicazioni/ratm/anno-2020-2-1/