Collaborative Art
-
A history of first encounters between Spectralists and Sound Researchers
My talk “Behind the official literature. A history of first encounters between Spectralists and Sound Researchers” is now online. Link to video: https://medias.ircam.fr/embed/media/x8a75e6 It is a recognized fact that studies such the ones developed by Jean-Claude Risset [2], John Chowning [2] and Joseph Fourier [3] on psychoacoustic, synthesis and sound representation, have opened the door to the development…
-
Behind the official literature. A history of first encounters between Spectralists and Sound Researchers
I’ll be presenting my talk on the next Spectralism Conference, 12-14 June, IRCAM (Paris). ABSTRACT It is a recognized fact that studies such the ones developed by Jean-Claude Risset [2], John Chowning [2] and Joseph Fourier [3] on psychoacoustic, synthesis and sound representation, have opened the door to the development of French Spectralist music. Throughout the pages…
-
Our paper “Analysis of Sound Design Practices [ASDP]. Research Methodology”
Read here (http://cim.lim.di.unimi.it/2018_CIM_XXII_Atti.pdf) the proceedings of the XXII CIM conference (Federico Fontana and Andrea Gulli eds., organized by the AIMI – Associazione di Informatica Musicale Italiana), with a great diversity of researches that bring much excitement and promise to the field of Electroacoustic Music, Computer Music, Sound Design and Sound Studies. The general theme of…
![Our paper “Analysis of Sound Design Practices [ASDP]. Research Methodology”](https://laurazattra.com/wp-content/uploads/2019/01/immagine.jpg?w=791)
-
e-book: Live Electronic Music Composition, Performance, Study
The digital edition of our book Live Electronic Music Composition, Performance, Study is now available on the main online stores. Live Electronic Music Composition, Performance, Study Edited by Friedemann Sallis, Valentina Bertolani, Jan Burle, Laura Zattra, Routledge, 2018. On Amazon.com and on Routledge.com Contents (340 pages) Introduction (FRIEDEMANN SALLIS, VALENTINA BERTOLANI, JAN BURLE AND LAURA ZATTRA) Part I Composition 1…
-
LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge)
I am pleased to announce that the book LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge), edited by Friedemann Sallis, Valentina Bertolani, Jan Burle and me, is now available: https://www.routledge.com/Live-Electronic-Music-Composition-Performance-Study/Sallis-Bertolani-Burle-Zattra/p/book/9781138022607 Contents (340 pages) Introduction (FRIEDEMANN SALLIS, VALENTINA BERTOLANI, JAN BURLE AND LAURA ZATTRA) Part I Composition 1 Dwelling in a field of sonic relationships: ‘Instrument’ and ‘listening’…
-
Collaboration at the Studio di Fonologia della RAI in Milan (1955-1983)
This week, I will be in the conference TCPM (Tracking the Creative Process in Music) at the University of Huddersfield, UK (September 14-16). In this context I will do an oral presentation of my latest research and will focus on the origins, dynamics and evolution of collaboration at the Studio di Fonologia della RAI in Milan (1955-1983). Abstract Electroacoustic music is a…
-
Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies
I will present my research at the EUROMAC conference, the 9th European Music Analysis Conference (Strasbourg, 28 June – 1 July 2017). TITLE: Collaborative Creation in Electroacoustic Music. Comparative Analysis of Three Case Studies ABSTRACT The revolution of sound recording, analogue synthesis and the birth of computer music, caused the emergence of a new professional profile:…
-
CSC (Centro di Sonologia Computazionale), University of Padova
CSC’S HISTORY: The Centro di Sonologia Computazionale was funded in 1979 at Padova University. The initial research and works in the field of musical informatics date to the beginning of the ’70s. The institute was first located at the CCA – Centro di Calcolo di Ateneo (the university computing centre). Activites were based on the collaboration between engineers, musicians,…
-
‘Reversal Of The Muse’ – femininity in creativity
REVERSAL OF THE MUSE is a new blog curated by Laura Marling that explores femininity in creativity. The first podcast presents an interview with Vanessa Parr, sound engineer at The Village Studios in LA for 10 years, close collaborator of Elton John, B.B. King, Coldplay and John Mayer amongst others, and now independent sound engineer.…
-
Gender Relations In Darmstadt (GRID), Darmstadt Ferienkurse, Aug 3rd 2016
Listen on Soundcloud: this panel presentation on Gender Relations In Darmstadt (GRID) took place at Darmstadt at the 48 Internationale Ferienkurse fur Neue Musik, on Aug 3rd. Participants included Ashley Fure, Jennifer Walshe, Electric Indigo, Anne Helde Neset, Georgina Born. From the panel discussion summary: When Ashley Fure — in the context of the historage-project — was invited…
laura zattra 