Studio di Fonologia della RAI di Milano
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Unveiling Camillo Togni’s (1922-1993) Creative Process in Electronic Music
Doing analysis of electronic music also means understanding – in addition to the audio, sketches, score (if any) and technology – the circumstances that led an author to create the piece. “Recitativo for Tape” (1961) is the only work of electronic music made by Italian composer Camillo Togni who embraced dodecaphony and integral serialism. Like…
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My keynote @TENOR 2024 conference (Zurich ZHdK)
Overjoyed that my keynote “Unexplored Archives, Philology and Real People – How to study ‘sound-based art’ through sketches (design thinking, embryonic projects, first meetings, software programming)”, at the TENOR 2024 conference – International Conference on Technologies for Music Notation and Representation, is now online. 2024: 4 April: Full video (my keynote and other talks): https://vimeo.com/930542621 Abstract: My presentation considers…
Analysis of Sound Design Practices, archives, Collaborative Art, CSC, Ircam, John Chowning, Music and Technology, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, Pioneers of electronic music, Sound Art, sound design, sound engineer, SOundNOiseMUsic, sources for the study of electronic music, Spectral music, Technology and Society, Teresa Rampazzi, Tracking the Creative Process in Music, women and music
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Angelo Paccagnini and Eugenio Carmi. In hoc signo vinces
My chapter “Angelo Paccagnini and Eugenio Carmi. In hoc signo vinces” has just been published in the book “Angelo Paccagnini. L’utopista indipendente”, edited by Maria Maddalena Novati and Marina Vaccarini, published by DieSchachtel records and NoMus, produced by Bruno Stucchi and Fabio Carboni, and with an attached CD with music by Paccagnini.
laura zattra 