Collaborative Art
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COMBINED METHODS TO STUDY COLLABORATION, CO-CREATION AND COLLABORATIVE PERFORMANCE IN THE DIGITAL MUSIC ERA. THREE CASE STUDIES BETWEEN ORAL HISTORY AND SOURCE CRITICISM
In my recent article COMBINED METHODS TO STUDY COLLABORATION, CO-CREATION AND COLLABORATIVE PERFORMANCE IN THE DIGITAL MUSIC ERA. THREE CASE STUDIES BETWEEN ORAL HISTORY AND SOURCE CRITICISM, I give a theoretical frame and contextualization of my research method, which I developed to study various aspects of music with new technologies (sound-based art). The combination of…
Academic, Andrea Valle, archives, Clara Iannotta, Collaborative Art, Combined method to study electroacoustic music, computer music, Fausto Romitelli, Interviews, Laurent Pottier, Live-Electronic Music, Mauro Lanza, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, sources for the study of electronic music, Tracking the Creative Process in Music
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In hoc signo vinces by Angelo Paccagnini and Eugenio Carmi – Symposium and Concert, November 9th 2024
Posthumous discoveries of unknown and never performed musical works always represent, in the eyes of researchers and the public, a valuable opportunity for new biographical readings and new interpretative scenarios. In hoc signo vinces (1976) is a score-catalogue discovered by archivist Carlotta Ghiretti at the archives of Eugenio Carmi (1920-2016, one of the protagonists of…
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Teresa Rampazzi: sound creations and co-creations as a meeting place between art and life
Next Saturday May 18th, I will discuss in Padova with Marta Previti and Maddalena Rizzi about women who have left a strong artistic mark in Veneto, Italy and the world. I will address how electronic music pioneer Teresa Rampazzi revisited the idea of creative place, from the home, to the collective, to the conservatory, to…
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My keynote @TENOR 2024 conference (Zurich ZHdK)
Overjoyed that my keynote “Unexplored Archives, Philology and Real People – How to study ‘sound-based art’ through sketches (design thinking, embryonic projects, first meetings, software programming)”, at the TENOR 2024 conference – International Conference on Technologies for Music Notation and Representation, is now online. 2024: 4 April: Full video (my keynote and other talks): https://vimeo.com/930542621 Abstract: My presentation considers…
Analysis of Sound Design Practices, archives, Collaborative Art, CSC, Ircam, John Chowning, Music and Technology, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, Pioneers of electronic music, Sound Art, sound design, sound engineer, SOundNOiseMUsic, sources for the study of electronic music, Spectral music, Technology and Society, Teresa Rampazzi, Tracking the Creative Process in Music, women and music
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Angelo Paccagnini and Eugenio Carmi. In hoc signo vinces
My chapter “Angelo Paccagnini and Eugenio Carmi. In hoc signo vinces” has just been published in the book “Angelo Paccagnini. L’utopista indipendente”, edited by Maria Maddalena Novati and Marina Vaccarini, published by DieSchachtel records and NoMus, produced by Bruno Stucchi and Fabio Carboni, and with an attached CD with music by Paccagnini.
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My keynote speech at the XXIII CIM Colloquio di Informatica Musicale
Last Thursday (October 27) I gave a keynote speech at the XXIII CIM Colloquio di Informatica Musicale in Ancona: “The Computer Instrument: mixed methods to study past, present and future between archives, lost sources and oral history”. I was also able to admire the instruments on display from the Museo del Synth Marchigiano and from…
archives, collaboration, Collaborative Art, Composers & Artists, computer music, Interviews, John Chowning, Live-Electronic Music, Luigi Nono, musicaelettronica.it, Musical Assistant, Oral History, philology of music, sources for the study of electronic music, Technology and Society, Tracking the Creative Process in Music
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Computer Sounds in Luigi Nono’s Prometeo
As part of my research on collaborative creativity, on the music-technology relationship, and on the role of computer music designers / musical assistants, I studied the genesis of the computer sounds used in Luigi Nono’s Prometeo, generated with Giuseppe (Peppino) di Giugno’s 4i workstation.My paper “The Use of Technology in Revolutionary Perspective. Computer Music Research…
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My contribution for The Bloomsbury Handbook of Sound Art
It’s out! I am honoured to have a chapter in this new book edited by Sanne Krogh Groth and Holger Schulze. My chapter “Audiogrammi of a Collective Intelligence. The Composers-Researchers of S2FM, SMET, NPS, and Other Mavericks” revisits the impact of 1960s-1970s Italian electronic music experiences in the light of their interdisciplinary experimentation opening up to Sound Art,…
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Symmetrical Collaborations. Jonathan Harvey and his computer music designers
My chapter “Symmetrical Collaborations. Jonathan Harvey and his computer music designers”, just published in «Nuove Musiche», Vol. 4 (2018), Special issue on Jonathan Harvey, edited by Candida Felici and Stefano Lombardi Vallauri, Pisa : Pisa University Press, pp. 29-57, DOI: 10.12871/97888333922572. ABSTRACT: The work of Jonathan Harvey (1939-2012) has been influenced by computer technology since…
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Recent developments of our APDS project [Analyse des Pratiques du Design Sonore]: 28/29 Nov.
Next week, Nicolas Misdariis, Frank Pecquet, Nicolas Donin, David Fierro and I, will present the last developments of our project: “Pratiques et praticiens : résultats du projet APDS [Analyse des Pratiques du Design Sonore]”. IRCAM (Paris), 28-29 November 2019. Free Subscription here: https://www.ircam.fr/agenda/sound-design-days/detail/ ABSTRACT Le micro-projet APDS (Analyse des Pratiques du Design Sonore – Labex CAP, 2018-19)…
![Recent developments of our APDS project [Analyse des Pratiques du Design Sonore]: 28/29 Nov.](https://laurazattra.com/wp-content/uploads/2019/11/podcast-4209770_1920.jpg?w=1024)
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