Notation in Electroacoustic Music
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COMBINED METHODS TO STUDY COLLABORATION, CO-CREATION AND COLLABORATIVE PERFORMANCE IN THE DIGITAL MUSIC ERA. THREE CASE STUDIES BETWEEN ORAL HISTORY AND SOURCE CRITICISM
In my recent article COMBINED METHODS TO STUDY COLLABORATION, CO-CREATION AND COLLABORATIVE PERFORMANCE IN THE DIGITAL MUSIC ERA. THREE CASE STUDIES BETWEEN ORAL HISTORY AND SOURCE CRITICISM, I give a theoretical frame and contextualization of my research method, which I developed to study various aspects of music with new technologies (sound-based art). The combination of…
Academic, Andrea Valle, archives, Clara Iannotta, Collaborative Art, Combined method to study electroacoustic music, computer music, Fausto Romitelli, Interviews, Laurent Pottier, Live-Electronic Music, Mauro Lanza, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, sources for the study of electronic music, Tracking the Creative Process in Music
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In hoc signo vinces by Angelo Paccagnini and Eugenio Carmi – Symposium and Concert, November 9th 2024
Posthumous discoveries of unknown and never performed musical works always represent, in the eyes of researchers and the public, a valuable opportunity for new biographical readings and new interpretative scenarios. In hoc signo vinces (1976) is a score-catalogue discovered by archivist Carlotta Ghiretti at the archives of Eugenio Carmi (1920-2016, one of the protagonists of…
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My keynote @TENOR 2024 conference (Zurich ZHdK)
Overjoyed that my keynote “Unexplored Archives, Philology and Real People – How to study ‘sound-based art’ through sketches (design thinking, embryonic projects, first meetings, software programming)”, at the TENOR 2024 conference – International Conference on Technologies for Music Notation and Representation, is now online. 2024: 4 April: Full video (my keynote and other talks): https://vimeo.com/930542621 Abstract: My presentation considers…
Analysis of Sound Design Practices, archives, Collaborative Art, CSC, Ircam, John Chowning, Music and Technology, Musical Assistant, Notation in Electroacoustic Music, Oral History, philology of music, Pioneers of electronic music, Sound Art, sound design, sound engineer, SOundNOiseMUsic, sources for the study of electronic music, Spectral music, Technology and Society, Teresa Rampazzi, Tracking the Creative Process in Music, women and music
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Computer Sounds in Luigi Nono’s Prometeo
As part of my research on collaborative creativity, on the music-technology relationship, and on the role of computer music designers / musical assistants, I studied the genesis of the computer sounds used in Luigi Nono’s Prometeo, generated with Giuseppe (Peppino) di Giugno’s 4i workstation.My paper “The Use of Technology in Revolutionary Perspective. Computer Music Research…
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My co-edited issue “Notation in Electroacoustic Music”, Music/Technology XIII, 2019
This marvel is now out! The new issue of Musica/Tecnologia (XIII), edited by Stefano Alessandretti and me, is titled “La notazione della musica elettroacustica. Scrutare il passato per contemplare il futuro” (Notation in Electroacoustic Music). The journal is committed to OPEN ACCESS, so enjoy it! (for paper version, please contact the publishing house). https://oajournals.fupress.net/index.php/mt/index TABLE…
laura zattra 